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List of modernist composers

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List of modernist composers

Lists of composers by philosophical stance: modernist composers

Contents

  • Austria 1
  • Russia/Soviet Union 2
  • Second Viennese school 3
  • Germany 4
  • Finland 5
  • France 6
  • Italy 7
  • Hungary 8
  • Poland 9
  • Scotland 10
  • United States 11
  • England 12
  • See also 13
  • References 14

Austria

  • Joseph Haydn (1732–1809) (Webster 2008, 285)
  • Gustav Mahler (1860–1911) (Frisch 2005, 182–85, 203–13; Gagné 2012, 178)

Russia/Soviet Union

Second Viennese school

Germany

Finland

France

Italy

Hungary

Poland

Scotland

United States

England

See also

References

  • Ashby, Arved Mark. 2004a. "Introduction". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 1–22. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
  • Ashby, Arved Mark. 2004b. "Modernism Goes to the Movies". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 345–86. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
  • Bauer, Amy. 2004 "'Tone-Color, Movement, Changing Harmonic Planes': Cognition, Constraints, and Conceptual Blends in Modernist Music". In The Pleasure of Modernist Music: Listening, Meaning, Intention, Ideology, edited by Arved Mark Ashby, 121–52. Rochester: University of Rochester Press. ISBN 1-58046-143-3.
  • Bernstein, David W. 2002. "Cage and High Modernism". The Cambridge Companion to John Cage, edited by David Nicholls, 186–213. Cambridge: Cambridge University Press. ISBN 0-521-78348-8 (cloth); ISBN 0-521-78968-0 (pbk).
  • Leon Botstein. "Modernism", Grove Music Online, edited by Laura Macy (accessed December 20, 2008), grovemusic.com (subscription access).
  • Broyles, Michael, and Denise Von Glahn. 2007. Leo Ornstein: Modernist Dilemmas, Personal Choices. Bloomington and London: Indiana University Press. ISBN 978-0-253-34894-4.
  • Clapp, Philip Greeley. 1916. "Sebastian Bach, Modernist". Musical Quarterly 2, no. 2 (April): 295–313.
  • Dahlhaus, Carl. 1989. Nineteenth-Century Music, translated by J. Bradford Robinson. California Studies in 19th-Century Music. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-07644-0.
  • Frisch, Walter. 2005. German Modernism: Music and the Arts. California Studies in 20th-Century Music. Berkeley, Los Angeles, and London: University of California Press. ISBN 978-0-520-25148-9.
  • Gagné, Nicole V. 2012. Historical Dictionary of Modern and Contemporary Classical Music. Historical Dictionaries of Literature and the Arts. Lanham, MD: Scarecrow Press. ISBN 0-8108-6765-6.
  • Hanley, Edwin. 1954. "Chorale Variations. Johann Gottfried Walther: Meinen Jesum lass' ich nicht; Jesu meine Freude. Georg Böhm: Ach wie nichtig, ach wie flüchtig; Auf meinen lieben Gott; Herr Jesu Christ, dich zu uns wend. Finn Viderø, organ. 12" LP. Haydn HSL-3066" (record review). The Musical Quarterly 40, no. 2 (April): 289–94.
  • Holden, Scott. 2010. "The 'Adventures and Battles' of Vladimir Dukelsky (a.k.a. Vernon Duke)". American Music 28, no. 3 (Fall): 296–319.
  • Howell, Tim. 2011. "The Legacy of a Modernist". Finnish Music Quarterly, no. 4:38–41.
  • Karolyi, Otto. 1994. Modern British Music: The Second British Musical Renaissance—From Elgar to P. Maxwell Davies. Rutherford, Madison, Teaneck: Fairleigh Dickinson University Press; London and Toronto: Associated University Presses. ISBN 0-8386-3532-6.
  • Lien, Anthony Marcus. 2002. "Against the Grain: Modernism and the American Art Song, 1900 to 1950". PhD diss. Davis: University of California, Davis.
  • Loya, Shay. 2011. Liszt's Transcultural Modernism and the Hungarian-Gypsy Tradition. Eastman Studies in Music. Rochester, NY: University of Rochester Press. ISBN 9781580463232.
  • Petersen, Nils Holger. 2010. "Quotation and Framing: Re-contextualization and Intertextuality as Newness in George Crumb’s Black Angels". Contemporary Music Review 29, no. 3 (June): 309–21.
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